If my memory is correct, I got used to chithrakatha (comics) even before I entered Grade 01. We didn’t have Montessoris during our time and there was less access to story books (except for some Russian story books my late father got from the Soviet Union) and the only reading material was the comic paper.
“Siththara” was the most famous and adored while “Sathuta” was widely available as well. There were some other papers too in the market which didn’t last long. “Dasuna” was special because it was designed in landscape style. “Sathsiri” was started by Camillus with a breakaway artists group from Siththara and the latter was affected a lot and Sathsiri became the preferred comic paper.
I preferred Eunicor over all the heroes in the comics. Toga was attractive too but he was ‘poorer’ than Eunicor and was clad only in a piece of leopard hide while Eunicor was smartly dressed with all black waist and a pair of tight shorts. He had a white transparent tape over his eyes which gave him a majestic look. He was muscular than Toga and looked braver too. He never was scared of any challenge while Toga was scared and excited in the last square of the week’s page. But he fights the enemy and wins next week. A friend of mine from Grade 01, Dhammila had the everlasting question that who will win if Eunicor and Toga fought each other. My endless attempt to tell him that the two were in different stories and will never meet each other didn’t have any effect on Dhammila and he has the same question to date.
I started drawing Eunicor in exercise books and it got a big demand in the class and even in upper classes. Many would bring me blank exercise book leaves in exchange of one comic of Eunicor I drew. Since my parents found it difficult to buy exercise books for me those days, this ‘earning’ of papers helped me as I could use them pinned together as a book.
We never bought comic papers ourselves. We usually borrowed them from the others who used to buy. One paper would go to more than hundred individuals every week. Some had the habit of preserving the papers or a single story. To my knowledge, the most collected story was “Ithin Eeta Passe.”
Some students used to cover the cover pages of the school books with comics papers. We were too obsessed with the papers and removed the covers, read the stories and put the covers again. The owners of the books were greatly annoyed but that was what they get for putting picture stories as book covers.
When I was transformed from a kid to a teenager my drawings were also transferred from heroes to lovers. I was so shy to draw girls during the initial stage of the transformation and I would draw a beautiful girl and before anyone saw it, would put a moustache and sunglasses and make her a boy. Later I mustered courage and started drawing girls’ pictures but was very shy to draw their breasts. It took some more time for me to draw big breasted girls.
I drew some pocket cartoons and sent them to “Madhura” but none of them appeared in the paper. I drew few single episode comics too but they too didn’t appear in any paper.
It took a long time for me to find how Sarath Madhu drew Dedunu and Kelum’s hair with such beautiful curls. Later I found the way he did it and I too started drawing them. But my favorite female characters became short-haired girls. I loved short-haired girls those days. They looked cuter and smarter.
I loved Wilbert Ranasinghe’s “Sellan Salli,” a cowboy story. It was only last month I came to know that it was the same story as “For a few dollars more” movie where Clint Eastwood plays the title role.
Sanda Kumari was a love story between Kanchana, a high school girl from Kandy and Dinindu, a university student from Peradeniya was also very popular. It was presented by Ananda Dissanayaka. Unfortunately the last few parts of the story had to be drawn by an amateur artist who messed it up.
During the same period I had the privilege of reading some Superman comics in Sinhala. The comics came as magazines and a whole story was included. This was done by Wijeya Group and I enjoyed them a lot. I am looking for a copy even today but they are too rare to find now.
Kumudu Tharaka was very talented in drawing teenage stories. The way the artists drew boys and girls was excellent. I can still remember the way the artist had drawn a kissing scene between a teenage boy and a girl. It had all the features of the intensity of a first kiss.
Aravinda came to the scene with the story “Suranganawak Horen Ewithla” which was very popular among the youth due to its theme and the way the young girl and her aunt were drawn in exposing nighties. Susil Premarathna’s Judy too was always in a nighty. The teenagers those days enjoyed these a lot as it was the only way they could access some nudity.
“Vision” was a different type of comic paper that came to the scene in late 90’s. It was a publication with stories in English with difficult words given in Sinhala. It was even approved by the National Institute of Education to be used as supplementary reading for schoolchildren. I used some of the issues for my English classroom teaching. I heard that it was a commercially viable paper but happened to stop due to some management issues.
Sarath Madhu’s departure from Siththara to launch Dasuna was a big blow to Siththara. His two stories, Ithin Eeta Passe and Uniquo were continued by Gunapala Jayalath who did a very poor job as he couldn’t draw a picture to balance the size of a head with its body. Later Ithin Eeta Passe was drawn by many artists and the story got carried away. It ended poorly by the two lovers losing each other. The story didn’t deserve such an end. Recently a teledrama was done by some idiots loosely based on the story and it killed the taste of the whole story.
Comics were blatantly criticized by the schoolteachers, intellectuals and parents of the children. This was a detrimental blow to the industry. More blamed the papers for being lewd. This is true up to some extent and to my knowledge, that trend was set by Sumathipala-Jothipala duo with the story “Suddi” which included nudity and lewd language to a level that was unacceptable. The rest of the artists also followed suit and some parents and principals totally banned comics at homes and schools.
Towards the late 80’s and early 90’s the quality of the comics was deteriorated and readers got away from them as they had teledramas and video movies as replacements for entertainment. A host of new, but short lived comic papers such as Hithawatha, Chithrakatha, Siwrasa appeared and disappeared.
Today the comics are limited to some newspapers as small strips and the golden era of comics died a natural death. I don’t say comics were bad. It educated us a lot. From it we learnt about how things go in other parts of the country and the world. Some stories were based on historical events. The stories produced a lot of artists within the papers and a lot of youth who became artists by just copying the originals. Today we don’t see such artists even to draw a banner in a funeral . They just go digital.
In this extremely hilarious discussion between Blackadder (Rowan Atkinson) and William Shakespeare (Hugh Laurie) where the drama Hamlet is being edited, you can learn who shortened the famous “to be or not to be…” part. Watch this. Worth watching.
The Gypsies is a very creative pop band that was launched by the late Anton Perera, a confectioner from Moratuwa. The group was formed in 1969. The group became popular throughout the island with their song Kurumitto (dwarfs) which became an instant hit. They also released some other Sinhala pop songs like Dena Dena Weradi Karanawa, Umba Nandan, Lunu Dehi that became very popular among the masses and started introducing stage acts also to support the songs, that was a novelty those days. They started with LPs and by 1980s started releasing audio cassettes and that was a turning point in their fame.
Their first songs were very creative both in voices, lyrics and music and they did a lot of experiments in local music scenes. Unfortunately, especially after the cassette Ojaye, their music too started appearing like the rest of the bands in Sri Lanka. The sweet melodies, inventive music are no more. If you take numbers like ‘Signore,’ ‘I don’t know why’ they don’t go in line with the earlier successful songs. Maybe Sunil Perera’s creativity also is fading due to age. Or maybe they stick to present music because it is easy to make them and they still sell.
Earlier music of Gypsies was more or less similar to that of Boney M. The drums, bass parts, keyboard music were unique. That uniqueness is no more with their present music. One cannot identify Gypsies music from that of Sun Flowers or Marians. This is a pity. We love the old creative music of Gypsies.
I am embedding the ‘Smurf Song’ sang by Father Abraham here along with its imitation, ‘Kurumitto’ by the Gypsies below. You can say this is plagiarism but I would rather say this is creativity as Gypsies version of it is very creative compared with the original.
I love to watch stage dramas. I had the pleasure of watching Maname, Sinhabahu, Uthure Rahula Himi and Guru Tharuwa in my 20’s and enjoyed them a lot. I had the same fresh feelings when I went to see the dramas Makarakshaya, Booruwa Mahaththaya and Debiddo recently but became very disappointed.
My first complain is that the actors’ voices are not loud enough like during the good old days. Earlier we got the tickets for the last few rows and now that we need more comforts, went for the second class. Still the actors’ voices were not heard clearly to us. It was disheartening to see this happening to veterans like Jayalath Manorathna who lulled the audience a decade ago. I’m not sure if this happens due to the ageing or total collapse of the standards of the dramas today. I wanted to ensure whether it was me going old and not hearing the actors well due to my age and asked few of the young people around whether they could hear the voices and they answered in the negative.
The next main area to be improved is the supporting cast. In the past, even the supporting cast was more or less equal to the main cast in talents. But today, the support cast is awfully weak and only very rarely I see someone who stands out. Maybe the youth are attracted to tele-dramas more than the stage due to what it offers today.
With the modern technology, the stage should be an attractive place but this is not seen in many a case. They still use the old methods and the situation has even deteriorated. The same has to be said about the lightings. Maybe the money circulated in the stage is too small to expect significant improvements.
In the olden days, at the end of the drama, when all the actors came to the stage to say goodbye, we felt like we were part of them. The feelings of the audience and the cast became one as a result of the refreshing experience both parties had. This I didn’t feel of late. I’m not sure if something is wrong with me!
I was in the habit of drawing pictures when I was young. Unfortunately I never had a teacher for paintings so I couldn’t learn it at school. Most of my good paintings are not to be found now as I didn’t protect them well. So just thought of putting the remaining few pictures here. I love to draw with a pencil.
Most of my drawings are lost as I had no way of preserving them. Out if the remaining ones I love Mandela’s sketch as he was a character who inspired me when I was a schoolboy. Such people are very rare and dedicating most of one’s life for others’ benefits is not as easy as many think.
I miss drawing now. I wish I could have time to start drawing sketches again. I love cartoons too. Asterix, Superman and Tin Tin are my favorites. I couldn’t enjoy those comics as a kid because I couldn’t read English those days. Now I enjoy them like a kid.
If someone has Superman cartoons hope I could borrow them and return. I never could read Superman in English. But I read Sinhala translations done by Wijeya Newspaper Group in 80s.